The crops below are from six megapixel images. The Off setting is very soft, it would have been nice to have an option somewhere between Standard and Off. Today, we’re concerned with a camera’s ability to render color, reveal shadow and highlight details, and reduce the appearance of noise at high ISO settings. When it comes to digital SLRs, resolution is important, yet a high pixel count alone doesn’t automatically mean superior results. The S3 Pro's Standard sharpening setting is already fairly strong and can exhibit some halo artifacts as can be seen around the 'Heuer' logo below. The current Film Simulation name first arrived along with the Fujifilm S3 Pro DSLR in 2004, but while this and the followup S5 Pro (2007) both offered more film types than the F700, it wasn't. Thanks for supporting Outdoor Photographer. A higher contrast setting stretches the grayscale (dark to light) of the image and could lead to clipping of both shadow detail and highlights. Now, hoping to expand its loyal digital SLR following, Fuji has introduced the new 12.3MP FinePix S3 Pro (we’re guessing 3,000 street), which it claims has even higher resolution and image quality. R-pixels (12.3 million effective photodiodes) to deliver 12 million recorded pixels. A lower contrast setting maintains more of the original data's dynamic range but leads to a flatter looking image. The FinePix S3 Pros 4th Generation Super CCD SR sensor will use 6.17 million S-pixels and 6.17 million. Most people consider the S3 Pro's standard output to be fairly saturated, in this case the Original setting would be a good choice, at least that way you won't lose any color detail to clipping and you can always increase saturation later in post-processing.Īdjusting the tone alters the shape of the 'S curve' used to map the linear image data captured by the sensor into the correct gamma. Saturation adjustment allows you to control the strength of color in the final image. ![]() Color: Standard, High, Original, Black & White.Sharpness is a good example of this, there's no 'just less than standard' option, only Off. By modern digital SLR standards the S3 Pro's range of image parameter adjustment is fairly limited, three levels for each of color saturation, tone (contrast) and sharpness provides some customization but not the subtle adjustment some photographers may be looking for. One of the S3 Pros biggest competitors (assuming youre not locked into the Nikon lens mount) is the Canon EOS 20D.
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